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Baking in the Rain…

In Uncategorized on November 4, 2012 at 10:28 pm

Last night I had the most intense dream about this wonderful cake from The Hairpin. So I woke up and thought I should make it. It’s the perfect autumnal day for it in Geneva; dazed and hazy with the joy of a proper night’s sleep, I wandered through a mist of rain to a secret location I know holds an oven… clutching a bag of sugar, flour, rum, and insufficient eggs. I had to run to a shop, that I’ve called Captain Rip-Off for such a long time I’ve begun to suspect that is actually its real name, for apples; but let’s pretend they were crisp, sour, red things from a market. (There is only a brocante market on today, much more conducive to the finding of dusty rugs, Bangladeshi jewellery, beat-up German paperbacks than the Lebanese flatbreads piled high with hummus and fresh mint, and the crumbly macaroons, and the stacks of fresh fruit you usually find in Plainpalais…)

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But back to the kitchen. I was ready. I read the recipe over properly, found out it was inspired by this and figured out I could just about fake something between the two, with my own personal touch (hint: spiced rum.) I scribbled it down.

I put on Sharon Van Etten for the first time in months and months, conjuring up such bittersweet sharp memories of sitting on long, long trains out of Edinburgh and long, long stomps in the Cotswolds fields, where I used to prop the headphones on one ear and make the most of countryside solitude by harmonising at the top of my lungs. Oh, SvE, must you know all the feels?

I then proceeded to beat eggs to creamy foam with a whisk, which is incredibly satisfying, and prove that you can substitute an egg with a half cup milk if necessary. But the best part about this recipe (running from the Smitten Kitchen one here) is browning the butter… It bubbles and foams and hardens to little dark bits at the bottom of the saucepan, and once you scrape them up and mix them in the whole thing smells like French kitchen heaven. Image

I peeled my apples with a knife, which prolonged the feeling of being a Lorraine grandmother, and decided that soaking them in rum couldn’t hurt, although Mémé would never have approved.

I decided a pinch of fine rock salt was acceptable – this, in the company of the next ingredient, would prove to be A Good Idea. Some sifting and stirring and singing later, I poured everything into the pan, along with a bunch of chunks of dark chocolate left over from my birthday Bruce Bogtrotter extravaganza.

I then skyped both my father and sister, which makes a good benchmark for baking  and cooling time, respectively, and brought the happiness levels of this weekend pretty damn high.

And then the cake came out of the oven, and I poured chocolate-rum ganache all over it, and then I ate it.

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It was good.

Halloween in France: a socialist fable

In Uncategorized on October 31, 2012 at 8:01 am

When I was a small child growing up in rural France, nobody we knew had heard of Halloween. Much as many families worldwide have ceremonies, like watching Neighbours or taking ayahuasca, All Hallows’ Eve was our private, sacred American family secret. At dusk, we’d light candles and get dressed up, i.e. throw together something outrageous involving some rags, a couple of belts, some vegetables and some stolen lipstick and, well, sit around BEING AWESOME. Feeling Halloweeny. (And spelling it the goddamn American way.) I can’t say I’ve quite outgrown it, even though Halloween these days is more likely than not to involve flaming shots of dubious liquid and making out with some pupil-dilated individual covered in (hopefully fake) blood.

But back to my story. This innocent era came to an end circa 1996 when France discovered Halloween. That’s right, discovered it. And immediately went on to claim they’d invented it. ‘allouin became an old Celtic holiday. Samhain was definitely totally, totally French. (Don’t bother questioning it. Pick your battles. Say, Arthurian legends.)

Anyway, so Halloween was French now. And, sacrebleu, the French were going to do it right. (Disclaimer: nobody says sacrebleu. Ever.) To be honest, you can kind of understand them. Up until then, the most exciting thing you could do ‘round that time of year was pop round to the tombs of your ancestors for a bit and water the fake flowers. A celebration of prank-pulling, sheet-wearing and E-numbers was a vast improvement. Suddenly, our childhood’s training came into its own. Overnight, my sister and I were crowned Halloween Queens, mostly because we seemed to be able to pronounce it. The hideous polyester vampire shirt with the GIANT plastic gold cross was cool. (In the latter days of our reign, the costume choices available to my sister and me expanded to include the cheesiest spandex, sequin and plastic things my grandmother could possibly find and ship to us, poor deprived children living in what she must’ve assumed from my parents’ dispatches on the subject was pretty much a Third World country.) For the first time since our friends discovered we didn’t really know about Claude François orles Worlds Apart,’ we were ahead of the trend! We had fake blood! We had fake cobwebs! (OK, that’s a lie, my parents drew the line at paying to put fake cobwebs in a house as full of actual cobwebs as our own.) We had plastic witch fingers which made your fingers smell horrible for days! We made pumpkin soup! (According to a bemused neighbour, French people don’t really eat pumpkin; it reminds them of the war.) I think one year we even had American Halloween candy – cue my parents despairingly trying to explain to us why candy corn was a thing, in one of those dreadful moments when they realised they had raised Foreign Children. We set up a giant zinc tub from the garden in the middle of our kitchen and organised apple-bobbing! (There’s just nothing like mashing your face into the side of a cold metal tub in the pursuit of healthy snacks, is there.) That was the best time. Our five friends loved it. (It was a small village. Shut up.)

But our reign ended rather swiftly the next autumn when the socialist government* had us decapitated** (*school)(**sent out a note). ‘Le trick or treat,’ it announced with little American-import spider Clip-Arts, would be organised by the school. It would, of course, be well-supervised. By every single teacher of the school. And of course, for safety’s sake, the children would proceed en masse.

Pas de tricks!’ the whichever teacher wrote the note jested, probably after looking up ‘tricks’ on whatever people used before Google.

My parents were outraged. What kind of barbaric country was this? What would they do with all the sporks, eggs and toilet paper they had laid in? (Joke. I have never sporked anybody’s pelouse.)

And then the reality of what was implied by ‘en masse’ sank in.

That is how we ended up with an army of close to eighty sugar-high little French kids between the ages of 3 and 10 swarming in a fairly orderly fashion through the streets of downtown Faulbach (population: 200). To these people, the rules of trick-or-treating were clear. No time to chat or have costumes cooed over or guessed at. To be honest, most of them were wearing Scream masks anyway. No, this was to be a cold, semi-military operation.

The chant we had decided on was the francophone ‘un bonbon ou un sort!’ – ‘a piece of candy or a spell!’ which has got to be pretty much the world’s most awkward English-to-French translation since ‘Jaws’ became ‘The Teeth of the Sea’, and was also, incidentally, a gross misrepresentation of our aims. We basically raided and pillaged the entire village of Faulbach. The parents and teachers fronted this army, and politely requested that every household hand over every sweet in their possession, like some sort of hideous reverse Jamie-Olivering, whilst children squabbled and howled in the background. Mothers poured two or three entire bags of sweets into our vast wicker baskets and binbags. Grannies scuttled back into the kitchen and tipped in whole bowls of oranges. Mechanics shrugged and gave us their family’s entire stash of chocolate. Some tipsy dude gave us a bunch of aperitif biscuits. Many kept their doors shut, presumably shivering in their basements, clutching their last cans of cassoulet. It was carnage.

This socialist-junta-style Halloween did not end there. The parents lugged our haul (I’m 95% sure we had a wheelbarrow) back to the head of the PTA’s house, where they carefully distributed it equally between every single one of the children. Even the slackers. Even the ones whose costumes were just a big coat. Even the ones who had just bought their masks from Carrefour. Everybody got their allocated twelve toffees and seven hundred gummy bears and two mini pizzas, or whatever. It was completely bizarre and kind of awesome.

There is a moral in this for all of us: the French also invented pumpkin soup.

Ed. Spoke to my Dad on the phone shortly after Halloween this year (2013) – there is indeed a wheelbarrow, and they still use it.

Other Words

In Uncategorized on October 8, 2012 at 8:37 pm

It occurred to me that it might be useful to have in my possession some kind of rundown of various publishables and publisheds in my name.

So: first off, I’m on twitter @elllode, should you enjoy a rambling flow including pictures of sharkskin, etymological trivia, shouty feminism and occasional gin-fuelled meanderings…

If you’re into poems that may be about oral sex and/or quantum physics:
http://literateur.com/os-oris/

or free jazz?
http://issuu.com/the_hill/docs/the_hill_2 (p.7)

For two tiny short stories and a beautiful drawing of a whale (by @sophie_bythesea)
http://blog.eca.ac.uk/twointhebush/category/sophie-jamieson-elodie-olson-coons/

Some really rather dirty thoughts about literary heroes:
http://workinprowess.com/the-collective-literary-wank-bank-part-one/

A lengthy version of those handwritten book recommendations in bookstores, or “review”:
http://www.waterstonesoxfordstreet.com/post/20405654811/ernest-hemingway-a-farewell-to-arms

(update – 19/11) Transatlantic readership acquired:

definitive guide to the meaning and usefulness of punctuation marks: http://www.mcsweeneys.net/articles/a-guide-to-the-meaning-and-usefulness-of-punctuation-marks

A short story about love, loss and edible contact lenses, courtesy of radical Canadians at filling Stationhttp://www.fillingstation.ca/archive/contributor/elodie-olson-coons-812

My short fiction and poetry has also appeared in The Dial and (no definition).

Upcoming: my short story Fish will be published in an anthology of modern fairy tales next spring.

http://www.indigoinkpress.org/modern-grimm-anthology-finalists-announced-to-be-published-in-may/

That’s about it, folks. Stay tuned!

Things I have found within 500 metres of my house: or, Geneva is quite nice.

In Uncategorized on September 7, 2012 at 5:28 pm

- A wood-gilding shop. That’s right, ladies and gentlemen, a shop designed exclusively for the covering of wood in gold. Not just picture-frames (although, quite a lot of picture-frames): angels, coat-stands and a weird thing which looks a bit like a lizard? So convenient and useful!

- A shop which sells, almost exclusively, small statues of bronze stags locking horns. Again, SO useful! It’s not like I need, like, milk or crisps or anything. Just 3000-CHF STAGS. (Actually, it’s a bit of a problem, I keep buying them when I’m hungover and they’re starting to fill up my room?)

- A dog called Rocky, short for Roquefort, owned by the barman. Rocky viciously attacked a group of slender, scantily-clad Russian chicks after they came to this (obviously Brazilian) bar, tried to order tiramisu, and left in a huff (clambering over the pineapple-themed tables, to the sound of samba) when there was none. Rock on, Roquefort.

- Somewhere between twelve and twenty bars and cafés which sell hideously overpriced thimbles of wine to the bourges and hipsters. You can also buy a “piscine” which puts this thimble of wine into a large glass with lots of ice cubes and a dash of sirop so it looks bigger. IT’S A LIE. A delicious lie.

- The longest bench in the world. I kid you not. OK, I kid you a little, because it’s actually just like a million benches end-to-end. What’s that you say? OK fine, you theoretical pedant/user of search engines, Sussex has some sort of giant “beach bench.” Since when is that a thing? Longest wooden bench in the world is something to aspire to, though, “Sussex.”

- The house where George Eliot lived (for, like, a coupla months, but, whatever). “One feels in a downy nest high up in a good old tree,” she allegedly said about it, which, hey, is totally how I feel about my flat all the time, but that might be the cannabis? (JOKE)

- The house where Jose Luis Borges lived, like, a lot. “Of all the cities in the world, of all the homelands that a man seeks to earn, Geneva fucking rocks.” (from the Spanish*) That’s the stuff. And he was all like “Don’t take my remains to Argentina, man. It’s all guitars and patios and shit these days.” (*a loose translation.) Also, phonetically his name is [ˈxorxe ˈlwis ˈβorxes] and isn’t that the best sci-fi name ever?

- A lot of other suspicious plaques suggesting that famous people lived there but mostly obscure Swiss protestants and hikers and yodlers and stuff.

- A nightclub. This is, technically, within less than 50 metres of my house, particularly if you go up the spiral staircase rather than as the crow flies, because crows can fly through walls, and I have those silicon earplugs now which I hate because I feel like I’m being kidnapped, because that’s how kidnapping works, yeah, but if I don’t wear them I get thumping bass, shouting louts (yesterday: “ah, but that’s the trouble with the proletariat!”) and an avalanche of CRASHING GLASS at 7 am from the recycling of said twelve-to-twenty bars. I bet Borges never had to put up with this shit.

Also: a second-hand book market, a medieval museum, a butch beer-maid, the best Vichyssoise I’ve ever had, some canons, an Italian delicatessen, sparrows and a lot of cobblestones. And when you swim in the lake you can see Mont Blanc.

So yeah. It’s kind of great. Come stay! I’ll prepare the downy nest.

Important lessons I have learned from Star Wars

In Uncategorized on April 18, 2012 at 8:53 pm

You don’t need to show your tits to kick ass but it’s better if you do
Princess Leia smuggles and shoots and delivers scornful looks in a long-sleeve, floor-length, quasi-turtle-neck dress. Princess Leia drives the stormtrooper scooter in a hideous yet awesome space poncho.
But then George Lucas had to make her get her tits out in the third installment. Can I forget the solid lead bikini? No. Damn you to hell, impractical swimwear. If it weren’t for Carrie Fisher’s face rather lasciviously endorsing Jabba’s fetishistic tendencies (I like to pretend it was just the coke), you might have remembered that the bikini is MEANT to be demeaning. That the solid-gold bondage outfit is used to humiliate Princess Leia. And focus on the fact that she then strangles him. Not in a sexy way. IN A KILLING SORT OF WAY. (This is how it must have got past the smart people who also wrote this movie.)     But no. Mostly, people liked Princess Leia, so she had to get ‘em out. (In defense of humanity, a load of women got out and walked out of the screening in protest the first time my mother saw Return. Did anybody do that for Suckerpunch? Or <insert movie title that fails the Bechdel test>? <despair>)

Incest is OK as long as you don’t have babies.
Did you know they cut an even more passionate almost-snog from Empire? (Neither did I until I started reading Wookiepedia, this evening, to verify my quotes I NEED A LIFE) Well, even without that, you now understand that kissing your brother to make Han jealous ensures you get him in the end.
And bros, don’t worry. You can still put your creepy fake hand on her shoulder.

You get jobs by hanging out in dodgy bars.
As you drink completely unidentified, free drinks in a place where people regularly shoot each other and mostly look like flies, two men who are most definitely running from the law will offer you thousands of pounds princess kisses monies to drunk-fly at the speed of light. Across space. That doesn’t sound like the drugs talking! It’s totally a valid, semi-permanent job offer! With unexpected diplomatic responsibilities. And death. Probably death.

If you do a job well you will receive actual, literal boxes of money that look a bit like tiny green filing cabinets (tiny green filing cabinets full of republic credits, you whisper) but it won’t stop the bounty hunters from getting you.
I mean, if you’re not up for the bar-hanging route, that’s how you get jobs, right? Stand too long by the prunes wrapped in bacon, waiting to be mingled with by the head of Barclays and BAM! They’ve hunted your brain. Then they feed it to their evil children. Right?
N.B. If you are branded a mercenary, attractive women may glower at you and make you wait for at least 15 minutes of film before they let you kiss them.

Never trust a man with a porn ‘tache
I mean, Lando is a good guy, just hangin’ out in his giant art-deco Tupperware, wearing his space bellbottoms. Apart from his endless mispronunciation of ‘Han’ as if he were a particularly nice hunk of cured pork, he’s ok.
But don’t trust them. Anyway. Because he might be feeding Darth Vader space peanuts and space cocktails in a tiny weird room, and he really wants to tell you his is your father.

If you wear a tiny bear costume people will shoot at you with guns
but in the end you will triumph.

On Indebtedness

In Uncategorized on March 12, 2012 at 10:00 pm

No (wo)man is an island. No written work exists in a void. As someone particularly interested in retellings, rewritings, and intertextuality, most of my work is inextricably tied up in its inspirations – fairytales, cookbooks, other people’s writing. The source of my words is almost exclusively extraneous to the cog-wheelery of my own word-machine. (Luckily, apparently, since it seems to be driven by words like “cog-wheelery.”)

So it was a terrific surprise to me this morning when I got upset at the belief that I had perceived my own influence in someone else’s writing. My first reaction was to feel attacked – I have given you these words of mine, and you have taken something from it that I cannot get back. But of course I (having dispatched a messenger to shoot the offender in the leg, I sat back with a stiff whiskey and) realised that I was being ridiculous.

 
No-one’s writing is anyone else’s. Words, as the New Critics will tell you endlessly, are no longer owned by the writer once the writer releases them into the world. To go further: as acts of mimesis, overlap in the scope of pieces of writing is inevitable. The verbal resources available to two people trying to describe the same river at twilight are remarkably limited. It is complicated further when you think you recognise the river in the work of someone you know. You know they have seen the river: you know they have read your piece on the river. Why would this partial view of the river not be indebted to you? Except of course it is not. The river is not in the text. This text is not even about a river: but there was a hint of the river, and you saw enough of the same view of a river as to feel threatened by it. (This metaphor is escaping me.) There are only so many words for a river. (THE RIVER IS SEX.)

 
Presumably, everything I have written had been influenced by others: a nurture-based theory of creativity. God knows I am endlessly, instantly, laughably obviously influenced by everything I read – cannot read Hemingway without trying to be Hemingway; cannot read Plath without trying to be Plath; cannot read Houellebecq without wanting to be anyone but Houellebecq, etc. But they are not around to laugh at my drafts, muss up my hair, shoot me in the leg, etc.

 
In the case of ex-lovers’ literary brawls, you have seen a hell of a lot of rivers at twilight. As side-by-side writers (and editors and critics and muses) you are bound to end up parallel, influenced. This is fertile; it is wonderful. After all, I didn’t start writing myself until someone gave me a stack of their poems when I was sixteen and made me think “hey, I could do that.” It’s perhaps just that the fear is always that someone will write the river better than you. It’s perhaps just that you feel you should be acknowledged, if only because you, too, saw the river. (You know that thing when you’ve only just failed to open a jar, and then someone else does it after you and it opens straight away? And they, not you, have opened the jar? THE JAR IS POETRY.)

 

So if in any way I was involved in the process of someone writing – not that I claim to be an impetus, but that I believe I wrote in parallel –  I cannot be anything but thrilled. I realised this morning, too, that I was upset because one set of words had been released and mine were still sitting quietly in the metaphorical basement of my computer. Which is why I just posted that poem. (Also, this entire blog/poetry venture has been neatly undermined by the lovely inclusion of an apologia by The Writer In Question – but never mind. The cog-wheels were still spinning. Or something.)
So read me, and read him, too. (And somebody shoot that messenger, yeah?)

http://acanticle.wordpress.com/2012/03/11/in-praise-of-big-afternoons-ovid/

They are just two pieces of writing which may or may not have seen the same river in a different twilight.

(Also, three cheers and a stiff whiskey for self-publishing!)

A few things I have learned about the British.

In Uncategorized on March 4, 2012 at 9:13 pm

I moved to Britain from France five years ago, and I still haven’t left, so you people must be doing something right. As I begin my sixth year in this green and pleasant land, however, I feel compelled to look back on a few of the more unexpected shocks (good and bad) of the transition.
Now, I’m not talking about the obvious markers – inexplicably red telephone boxes and buses, crumpets, premature darkness, far better swearwords than my American forebears, etc. (Oh, and obviously your cars are backwards and you drive on the left. But there’s nothing more to be said about that.) I’m talking about things that were deep, genuine surprises.

1. You don’t have bakeries.
I spent a full hour on my first day in Cambridge, wandering the streets, desperate for a loaf of bread. Call me a country bumpkin (I mean, I have eaten frogs’ legs and torn baguettes with my hands and everything!) but it’s not like I was looking for a cobbler or a blacksmith. It hadn’t occurred to me that the bakery as an institution could be considered pretty much obsolete.

 2. Split taps
Medieval. Bizarre. Completely flummoxing. I alternately burned and froze my hands/face for about a week before devising a sort of barrista’s deft mixing of hot and cold in the cup of my hands. (Remind me to patent some sort of dual-ended adapter. Also, the accompanying choreography – it’s sort of like a Hawaiian hula, but with more hand-cupping. And pain. Lots of pain.) Also, you don’t have electrical plugs in your bathrooms. What is that about.

3. Afternoon morning Drinking being culturally acceptable pretty much all the time
I thought Pimms was a kind of biscuit. I also though drinking began around 6 pm. I was wrong on both accounts. I swear, I have no intention of reinforcing wild national stereotypes, or anything. It’s just that I have drunk at lunchtime with vicars and grandparents, at breakfast picnics with physicists and rowers, late at night from a choir master’s hipflask.
I do realise this list may give the impression that my visions of Britain were entirely determined by the location of my first three years there, but I have also drunk cheap white wine before lunchtime on a ratty patio in Rugby, and given rousing renditions of the entire back catalogue of Disney songs in the streets of Edinburgh, and seen a middle-aged, respectable-looking lady fall off a barstool in Kent. So there.

Of course, some of the best things I learned in Britain have little or nothing to do with Britain at all:

1. How to dance with indie knees
2. It is acceptable to dry one’s hair in the daytime
3. Cow tipping is a thing.

Imagine what I’ll have learned in another five years…

So there you go. I have started a blog. Future posts may or may not include the following topics:

1. The thrills and perils of gigging alone
On being bought drinks, being accidentally spat on by your idol, and not knowing all the words. (Also, Matt Berninger from The National probably doesn’t want to sleep with you.)

2. Casual feminism for the modern (wo)man.
On Caitlin Moran, Princess Leia, Anna Calvi, and finding it is, in fact, impossible to eat a Yorkie bar without a great deal of damage to one’s soft palate.

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